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15 July 2026
Bradley Strauchen-Scherer Appointed Director-at-Large
The AMS Board of Directors is pleased to announce the appointment of Bradley Strauchen-Scherer to the role of Director-at-Large.
15 July 2026
Cody A. Norling Named Collester Fund for Chicago Music Fellow
Cody A. Norling (West Virginia University) has been named the Newberry Library's 2026–27 Collester Fund for Chicago Music Fellow.
09 July 2026
Submit a Public Comment on the OMB Rule
The AMS encourages the submission of public comments on the OMB's proposed revisions to the “Regulation for Federal Financial Assistance.”
06 July 2026
Call for Articles: Journal of Musicology Pedagogy
The Journal of Musicology Pedagogy (JMP) calls for articles for the 2027 and 2028 calendar years.
06 July 2026
JAMS Releases Vol. 79 Issue Supplement: Touching Music, Making Musicology
Coinciding with the 250th anniversary of the United States, JAMS has published the special supplemental issue, “Touching Music, Making Musicology.”
06 July 2026
Call for Articles: Music Means
The American Musicological Society (AMS) invites proposals for story articles in Music Means, an online magazine of the Many Musics of America initiative.
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Event Calendar

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August 2026
Upcoming
Sun
30
30 August 2026 @ 4:00 pm-4:00 pm
Reflections: A World-Premiere Performance
Songs by Trevor Weston, with Words and Music by Ignatius Sancho
In this concert, soprano Sonya Headlam and historical keyboardist Rebecca Cypess present the world-premiere performance of Reflections, a song cycle for voice and historical piano by New Jersey-based composer Trevor Weston. Weston's pieces are based on excerpts from the correspondence of Ignatius Sancho, an eighteenth-century Black writer and composer who was also the first Black British person to cast a vote in an election. Sancho's writings address topics ranging from everyday life to religion and family to the horrors of the international slave trade, and he encoded subtle antiracist messages in his music. The concert also features songs and instrumental music written by Sancho himself, as well as works by other composers and writers of African descent from the eighteenth-century Atlantic world.
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